This painting is entitled "Napoleon Koons", and it represents Emperor Napoleon Bonaparte crossing the Great Saint Bernard, except that instead of being on a horse, he is sitting on a sculpture of Koons, the famous dog ball. The painter Le Yack d'Orléans chose to represent Napoleon in this way to create a contrast between ancient history and contemporary popular culture. Indeed, Koons' sculpture has become a symbol of contemporary art, while Napoleon represents an emblematic historical figure of France. The choice of the artist Le Yack to represent Napoleon on this sculpture also shows a desire to question the symbols of power and authority of the Napoleonic era, by associating them with more playful and popular symbols. In short, "Napoleon Koons" is a work of art that perfectly illustrates Le Yack's style, which mixes the genres of pop art and street art to create original and daring works. This painting is an example of the artist's innovative approach which revisits symbols of the past with a touch of modernity and humor.

This painting is called "Parisian Gothic" and it is a cover of the famous painting "American Gothic" by Grant Wood. However, instead of representing the characters in front of their wooden house, Le Yack integrated them into the Paris metro. In this painting, we can see the two emblematic characters of "American Gothic", a farmer and his daughter, sitting in a Parisian metro train. The artist's choice to represent them in an urban context is bold and brings a touch of modernity to this icon of American art. The work "Parisian Gothic" is an interpretation by the artist who diverts classic symbols to adapt them to our time and our environment. The Paris metro is a place of meeting and daily life for millions of people, and Le Yack has chosen to integrate these iconic characters to highlight the importance of cultural diversity in our current world. Using the style of pop art and street art, Le Yack creates work that is both visually eye-catching and intellectually stimulating. “Parisian Gothic” is a painting that reflects the innovative and creative approach of the artist, which never ceases to surprise and provoke reflections among viewers.

This painting is called “Lady with the Unicorn” and it is a reworking of the famous painting “Lady with the Ermine” by Leonardo da Vinci. In this painting, the woman depicted in the original painting holds an inflatable unicorn in place of the ermine she holds in Da Vinci's work. The unicorn is treated as a sculpture by Koons, a famous contemporary artist, which creates an interesting contrast between the works of the past and the current era. The choice of the inflatable unicorn is relevant because this object has become a symbol of popular culture, while the ermine symbolizes nobility and purity in the history of art. The Yak therefore plays with these codes by associating two symbols which are a priori opposite. Koons' treatment of the unicorn as a sculpture also highlights the importance of contemporary art in our society. Koons' works are often considered provocative and controversial, and Le Yack uses this aesthetic here to create a canvas that questions the codes of art. In summary, “Lady with the Unicorn” is a painting that perfectly illustrates Le Yack’s style, which mixes genres and eras to create original and surprising works. This painting is a modern and innovative interpretation of a classic work, which invites viewers to reflect on the symbols of our society and the importance of art in our daily lives.